SXSW

SXSW 2017 Adds ‘Baby Driver,’ ‘Free Fire’ and More to the Lineup
SXSW 2017 Adds ‘Baby Driver,’ ‘Free Fire’ and More to the Lineup
SXSW 2017 Adds ‘Baby Driver,’ ‘Free Fire’ and More to the Lineup
SXSW really isn’t slouching with this year’s film festival programming (they rarely do), and today brings even more exciting additions to the lineup, including a pair of our most highly-anticipated films of 2017: Edgar Wright’s Baby Driver and Ben Wheatley’s Free Fire. The latest programming announcement also includes several intriguing indies, new films from Joe Swanberg and Evan Katz, and documentaries featuring beloved icons like Bill Nye and the Muppets.
Terrence Malick’s ‘Song to Song’ Will Kick Off SXSW 2017
Terrence Malick’s ‘Song to Song’ Will Kick Off SXSW 2017
Terrence Malick’s ‘Song to Song’ Will Kick Off SXSW 2017
Austin, Texas native Terrence Malick shot his latest movie in and around the Austin music scene. And earlier this week, news broke that the film, freshly retitled Song to Song, was ready for release and coming to theaters in March. So we probably should have seen this announcement (via The New York Times) coming: Song to Song will open the 2017 South by Southwest Film Festival. So you know what this means: A glitzy opening night red carpet, complete with Terrence Malick posing for lots and lots of photos and interviews. Or the exact and total opposite of that.
‘Spy’ Review: An Empowering but Uneven Female Spy Spoof
‘Spy’ Review: An Empowering but Uneven Female Spy Spoof
‘Spy’ Review: An Empowering but Uneven Female Spy Spoof
Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.
‘Get Hard’ Review: Two Hilarious Actors, One Bad Movie
‘Get Hard’ Review: Two Hilarious Actors, One Bad Movie
‘Get Hard’ Review: Two Hilarious Actors, One Bad Movie
Individually, Will Ferrell and Kevin Hart are undeniably hilarious guys. Bringing two major comedic forces together on the big screen just makes sense on both a commercial and entertainment level. Unfortunately, Get Hard largely squanders the talents of Ferrell and Hart on an outdated premise with tired jokes, delivering what essentially amounts to one overlong joke about the terrors of prison rape.
‘Kurt Cobain: Montage of Heck’ Review: Documentary Exposes a Man Who Resented Exposure
‘Kurt Cobain: Montage of Heck’ Review: Documentary Exposes a Man Who Resented Exposure
‘Kurt Cobain: Montage of Heck’ Review: Documentary Exposes a Man Who Resented Exposure
There are few mysteries more grim than that of a suicide, particularly of such a beloved and iconic celebrity. That death can blur the line between fandom and the entitled urge to know more about their private lives — as was and still is the case with Kurt Cobain, guitarist and frontman of prolific ‘90s grunge outfit Nirvana. Kurt Cobain: Montage of Heck gives us unprecedented access to the mind and soul of someone who never took interviews seriously and resented his overnight rise to fame.

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