Detroit

With two new releases and a third movie switching from a limited to a wide release, this was a weekend of big changes at the box office. Gone are familiar stalwarts like Wonder Woman and Baby Driver, and in its place are (with respect) the also-rans of summer, a few genre-driven films looking to carve out a name for themselves in a time of year devoid of major blockbuster releases. Here are the numbers as of Sunday afternoon:

The final spot for Kathryn Bigelow’s new historical drama pulls no punches.

Every major historical movie comes with a choice. Do you go seek the true story behind the film’s events in an attempt to be well-read prior to its release? Or do you embrace your ignorance  —  albeit temporarily  —  in order to ensure the sanctity of the cinematic experience? It isn’t difficult to find in-depth literature about the film; Wayne State University Press recently re-released The Detroit Riot of 1967, a first-hand account by the former aide to the Detroit police commissioner who now serves as the Dean of Public Affairs at the University of Michigan. In many ways, Kathryn Bigelow’s Detroit seems to be setting a historical precedent for the abuse of power stories we see in every city across America.

The calendar may have four seasons, but Hollywood’s calendar only really has two at this point: summer and awards, and summer seems to last longer and longer ever year. Though the start of May has long been the unofficial kickoff of the S.M.S., 2017 has already seen a King Kong movie, a ghost in a shell, and the fate of Fast & Furious franchise. The change from April to May is something of a formality in 2017. Once the Oscars are over, the summer begins.

We didn’t think we could get much more excited about Kathryn Bigelow’s new project, but then the Oscar-winning director began assembling her cast, and it’s already pretty impressive. Joining John Boyega in the untitled Detroit riots drama are The Revenant’s Will Poulter, Sing Street’s Jack Reynor, Ben O’Toole and Anthony Mackie — the latter of whom previously worked with Bigelow and screenwriter Mark Boal on The Hurt Locker.

There is no better motivation to get kids to show up for school quite like some good old fashion bribery, right? Well, the city of Detroit seems to think so.

Roger Taylor’s vision has come to life as the ‘Queen Extravaganza’ opened Thursday night (May 31) at Detroit’s Fox Theater. The drummer set out last year to put together a production of musicians that could pull off the Queen catalog with the idea that it would keep the aging band’s legacy alive for future generations.