Matthew Monagle
‘Nightwing’ Director Explains His Movie’s Comic-Con Absence
With Warner Bros. sharing updates for so many of its DCEU films at this past month’s Comic-Con, you’d be forgiven for overlooking the in-production films that were absent from the presentations. Films like Chris McKay‘s Nightwing. Earlier this year, McKay explained that his Nightwing movie would serve as a kind of counter to the traditional Batman films - exploring what it’s like to come from nothing instead of a life of privilege - and fans who loved The LEGO Batman Movie were cautiously optimistic about a standalone Dick Grayson film. So it came as a bit of a surprise, then, when the DCEU executives remained silent on their latest project.
Someone Goes Fishing for Trouble in These 2 New ‘Annabelle: Creation’ Clips
If you’d told me back in 2004 that James Wan, then-director of Saw, would become the architect of horror’s more important cinematic universe a decade later, I would’ve thrown my hands up in the air and declared the the end of the genre. So I’m as happy as anyone to see that Wan’s The Conjuring universe continues to impressive (and improve!) with each subsequent entry. Coming off the heels of The Conjuring 2, one of the better haunted house movies of the last couple of decades, Annabelle: Creation shows that the franchise shows no signs of slowing down… at least not until we’ve explored every item in the Warren’s Raiders of the Lost Ark-esque trophy room.
Hollywood Wants to Turn the Mooch’s White House Tenure Into a Movie
They say the flame that burns brightest also burns quickest, which might explain America’s short-lived fascination with Anthony Scaramucci. Scaramucci was a singular political figure: from his methodical recreation of Donald Trump hand gestures to his, ah, poorly conceived late night phone calls, Scaramucci was immediately the most colorful character in an administration that already featured a surplus of memorable individuals. So when Scaramucci was fired from his official position as White House spokesperson, there was a half-ironic sense of loss, a feeling that we’d only begun to scratch the surface of Mooch madness.
Sony Is Slapped With a Lawsuit Over a ‘Baby Driver’ Song
I probably don’t need to tell you that Baby Driver is a good movie; odds are you’ve seen it in theaters - maybe more than once - and might even own have a copy of the soundtrack downloaded on your phone. As good as Baby Driver The Movie might be, Baby Driver The Soundtrack is even better, with a ton of really great songs from artists as diverse as Simon & Garfunkel, Blur, and Martha and the Vandellas. And until now, one of the better production stories has been all the hard work Edgar Wright and company put into securing the rights for each of these tracks.
Will Wonder Woman Be the Villain of the Upcoming ‘Flashpoint’ Film?
Given the film’s box office success and surprising - albeit extremely preliminary - Oscar buzz, it’s probably fair to declare 2017 as the year of Wonder Woman. And all this Wonder Woman excitement has fans asking: after we see the character again in this fall’s Justice League, what’s next for the star of the DCEU? Will she jump forward to the modern world in Wonder Woman 2? Will we continue to see her adventures unfold throughout the 1900s? Or will Warner Bros. do something really wacky with her character, like, I dunno, make her the villain of another DCEU movie?
Jeremy Renner Wants ‘Wind River’ Director Taylor Sheridan for His Doc Holliday Series
If you’re lucky enough to live in a major movie market like New York or Los Angeles, you may have plans this weekend to see Taylor Sheridan’s Wind River, the latest entry in Sheridan’s ouevre of neo-westerns like Sicario and Hell or High Water. Our own review of Wind River called the film impressive-looking - if not a little familiar - and a project that bodes well for the future of Sheridan as a filmmaker. And while Sheridan may be the master at the contemporary western, it appears the writer-director also has a more traditional take in mind, working on a project with Wind River star Jeremy Renner about America’s most infamous gunslinger.
Hayley Atwell Wants More Peggy Carter in the MCU
One of the underrated aspects of Marvel’s cinematic universe is its overabundance of good characters. Take Hayley Atwell’s Agent Carter, for example. Most other major movie franchises would jump at the opportunity to have a character as beloved as Peggy Carter; for Marvel, fairly or unfairly, she’s a character they can afford to leave behind. That is, until it was announced that Captain Marvel would take place sometime in the 1990s, opening the door for Atwell’s Carter to appear once more in the MCU. Would she be interested in coming back to play the character? You’d better believe it.
Weekend Box Office Report: Thankfully, ‘Dunkirk’ Holds Off ‘The Emoji Movie’
Be honest with me: did you really want to see a picture of The Emoji Movie at the top of this article? You had to be hoping that Atomic Blonde or Dunkirk would hang strong enough to keep The Emoji Movie from finishing in the top spot of its opening weekend, right? Well, good news for you: it’s not the highest-grossing movie in America this weekend! Has there ever in the history of Hollywood been a box office one-two as disparate as Dunkirk and The Emoji Movie? Actually, don’t answer that, I don’t want to know. Here’s the projected grosses as of Sunday afternoon:
Make Your Weekend Better By Reading This Unproduced ‘Police Squad!’ Script
While any self-respecting comedy fan undoubtedly knows the Naked Gun movies by heart, I hope those same fans are also aware of Police Squad!, the short-lived 1982 ABC comedy series that set the stage for Leslie Nielsen’s Frank Drebin character. Created by the Zucker Brothers and serving as a hilarious sendup of police procedurals, Police Squad! was a slightly drier version of the movie characters we would all come to know and love. The show was infamously cancelled after only six episodes, with ABC executives claiming that the rapid-fire comedy and plethora of visual gags were too complex for television audiences. Thus, Police Squad! remains a television show impossibly ahead of its time.
Weekend Box Office Report: ‘Dunkirk’ Wins the Weekend
What did you see this weekend? Was it the dour World War II epic? The raunchy New Orleans sex comedy? Or the movie where Cara Delevingne shoves her head into a telepathic jellyfish’s butt? Truly, with options like this, anyone who complains about the death of cinema has no idea what they’re talking about. Anyways, here’s the box office numbers through Sunday afternoon: