Either a classic late 20th century teen film dies a classic late 20th century teen film, or it lives long enough to see itself become a female-led reboot. The reason I’m making this labored metaphor is because that’s exactly what’s happening to License to Drive, a fun teen adventure flick from 1988 that’s about to be rebooted with a pair of female leads.
Emma Stone has come a long way from her La La Land character Mia’s humble barista origins: she’s now the highest-paid actress of this year, thanks mostly to last year’s Damien Chazelle film that rocketed her around the awards circuit last winter.
Darren Aronofsky’s mother! is an intriguing little beast. After two trailers, all we know is that it stars Jennifer Lawrence, Javier Bardem, Michelle Pfeiffer, and Ed Harris, and it involves a couple whose relationship is more than tested after they invite another pair of folks into their home. Aronofsky himself also isn’t too forthcoming, but said that he was so inspired when he got the idea for the movie that he churned out a draft in just a couple of days.
MoviePass is one of those helpful ticketing deals that allows subscribers to see multiple movies a month at a reduced rate. For one monthly payment, you can see one movie per day essentially for free, and if you’re someone who goes to the movies a lot and can feel those box office prices squeezing your wallet dry, it’s always been a pretty good investment. Today, it turned into a ridiculously good investment.
Acting isn’t easy, especially when you’re forced to say all kinds of dialogue about made-up stuff like Ravagers and Celestials and living planets in some indie genre flick. Kurt Russell was one of the (many) highlights of this year’s Guardians of the Galaxy Vol. 2, but even he had some trouble with everyone’s names.
Food tutorial videos have become an art film in and of themselves, with websites like Tastemade and Buzzfeed Tasty churning out cute, quick, infinitely watchable short videos around a minute long that combine recipes with cooking tutorials — and they all look delicious. They’re such a popular thing that David Ma launched his own YouTube channel this week, where he posts food tutorial videos as if they were made by all of today’s most popular directors.
When you’re shooting a big-budget tentpole superhero movie, it’s going to be complicated. When you’re shooting a big-budget tentpole superhero movie, half of which is underwater, it’s going to be really complicated. James Wan’s Aquaman is currently shooting in Australia, and Wan himself says it’s not an easy shoot.
Wonder Woman, if you can believe it, is still breaking records and defying explanations more than two months after its release. On Tuesday, the film broke past the $400 million mark domestically, now in league with such box office juggernauts as Star Wars: The Force Awakens, The Avengers, The Dark Knight, and, uh, Shrek 2.
Fifty years after the release of Velvet Underground & Nico, one of the most influential rock albums in history, lauded indie director Todd Haynes (Carol, Far From Heaven) has announced he’ll be making his first feature documentary about the band.
The goal with any society is to get better at stuff, to learn from mistakes and evolve, gradually, over time, to become the best version of itself. But for all the woke baes and social justice awareness out there, it looks like movies still have a long way to go. A new study has found that white men still get the most dialogue in today’s cinema, and women and minorities are still often relegated to stereotypical, nonessential roles.
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